Crespi, Painter of daily life

Giuseppe Maria Crespi - La cuoca, the kitchenmaid

La Cuoca, 1712

Giuseppe Maria Crespi also known as "lo spagnolo" (the spanish one) because his clothing apparently had a spanish style, is a unique painter both for his technique and subject matter. It's difficult to compare him to anyone from his period, (except for Alessandro Magnasco, who painted more dramatic landscapes) . His brushwork was quite loose, his figures in haunting chiaroscuro, and his relentless sense of experimentation are what make him fascinating to study. Several years back I remember looking at this painting of his at a local art exhibit:

Allegory of the Arts, 1730

and I remember being hypnotized by it's pseudo-mannerist elegance, deep blues and Crespi's characteristic indistinct facial features. I love how the fold of her robes flow toward the canvas, along her wrist and curls back toward herself. Note how she is painting a sculptor sculpting (Pygmalion and Galatea) to pay tribute to that great art form. And the harp behind her represents music also, but symbolically personifies spiritual harmony that comes from painting. Amen.

Searcher for Fleas, 1720?

Despite a decidedly monochromatic palette of browns in this painting, Crespi uses detail to make us feel like we are in the room with this woman. Again, his soft indistinct face of the woman is sweet and tells the story of poverty as a way of life in a way that is not shocking or melodramatic. The bold use of orange is a brilliant choice— eye-catching and intense but also gentle and unassuming. She has one shoe off on the floor while still wearing the other, impatiently trying to find the flea inside her shirt. Crespi takes an ordinary scene and with details and color tells a story in a way that pulls us into their lives, a rare thing for a Baroque painter in his time. I think of how many realistic painters today like to leave background elements fuzzy or completely darkened, when it is always the background which pulls the viewer in and creates the setting for the story unfolding.

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More Old Master Drawings

There is nothing in all the world more beautiful or significant of the laws of the universe than the nude human body. Robert Henri Charles Louis Müller , A Standing Female Nude Leaning Against an Arch, ca.1864 Once again I decided to talk about some Old Master drawings and delve into the thinking behind how these drawings may have been created and the knowledge of the artist. In the above drawing by Müller, done in sanguine with white chalk highlights, the figure is drawn from a low view-point, with her body twisting toward her left side while resting on one knee. Note how Müller alternates the bent right leg with the bent left arm to create dynamic contrast. The right arm is also foreshortened and partially in shadow. Expressing power and femininity, this is a study that is Renaissance in spirit, even Mannerist, revealing the female nude as sculptural yet always graceful. Anton Raphael Mengs , Seated male nude viewed from the back, 1755 One of several Academic nu

The Genius of Ramon Casas

Open Air Interior, 1892 Born on January 4, 1866 in Barcelona, Ramon Casas i Carbó was a Spanish portrait painter and graphic designer. He was a contemporary of Santiago Rusiñol , both founders of the Spanish art movement modernisme . Where Santiago painted pensive interiors and moody landscapes, Casas focused more on the portrait and figure with a penchant for costume and posture. His palette often consists of more muted tones with vibrant color accents. Casas enjoyed a lengthy and prominent career throughout Europe and South America where he often exhibited in shows with his friend Rusiñol. In Open Air Interior above, Casas encapsulates a quiet moment outdoors during tea time. I love these kind of paintings for their calm visual intensity. The way that man sits in his chair, lost in thought while his wife carefully stirs her tea...this is the kind of mindfulness in the subjects that makes us, the viewer, envision ourselves in this scene. Casas paints the far wall of the house

Isaac Levitan, Russian Poet of Nature

Before the Storm, 1890 Born August 30, 1860, Isaac Ilyich Levitan was a Russian landscape painter. Born in Congress Poland to a Jewish family, Levitan would study art in Moscow where he would become friends with Anton Chekov and his brother, Nikolay who was also an artist. Levitan's work has a unique mood that is very distinct from the Impressionism of France and the Classicism of Russia...sometimes compared to Monet but still different. Levitan has a rare presence with astute attention to detail and a fascination with light at different times of day. At times highly accurate, while in his more personal work deeply Impressionistic and imbued with rich tone and color. There is something about Levitan that lingers in your mind long after seeing his work...in a way that is individual and personal, not attached to a specific genre or movement, but to the world around him. In Before the Storm , Levitan captures a moment so stunning it seems to defy words...of sunlight piercing

beside the easel

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